International conference “Musical Identities and European Perspective: an Interdisciplinary Approach” on the subject of intercultural dialogue between European and Serbian musical culture and history, is organized by Department of Musicology of the Faculty of Music, University of Arts in Belgrade. The conference welcomes scholars from all around Europe and from diverse field of humanities, musicology and interdisciplinary studies for vigorous dialogue and exchange on subjects related to musical identities and European perspective.
International conference “Musical Identities and European Perspective: an Interdisciplinary Approach” is one of the main deliverables of the module – collective monograph on the dialogue between Serbian and European musical history in English language.
Download Conference Programme
Download Conference abstracts
Conference Programme
International Conference of the Department of Musicology
Faculty of Music, University of Arts in Belgrade
MUSICAL IDENTITIES AND EUROPEAN PERSPECTIVE:
AN INTERDISCIPLINARY APPROACH
ERASMUS + Jean Monnet Module
Wednesday, October 12, Faculty of Music, Great Hall (Kralja Milana 50)
10.00-10.15 Joint conference opening and welcome
For the “Transpositions: Music/Image” conference please click on the link https://belgradeconference2016.wordpress.com/
10.15-11.00
Keynote lecture – Franco Fabbri
Influence, Imitation, and the Reshaping of Identities in European Popular music
11.00-12.30 SESSION 1
Chair: Rūta Stanevičiūtė
Mirjana Veselinović-Hofman
The Facets of the Decline of Avant-Garde Exclusivity as the Cause of Specific Stylistic Connotations of the Musical Avant-Garde Today
Marija Masnikosa
Types of Transtextuality in the Selected Works of Serbian Musical Postmodernism
Lina Navickaitė-Martinelli
Defining Identity: In Quest of ‘Lithuanianness’ in Piano Performance Art
12.30-13.00 Coffee break
13.00-14.30: SESSION 2
Chair: Paulo F. de Castro
Tijana Popović Mlađenović
The Musical Text and the Ontology of the Musical Work
Malgorzata Janicka-Slysz
Karol Szymanowski and his Concept of Polish Music. Contexts and Resonance
Dragana Stojanović-Novičić
A Short Correspondence Between Edgard Varèse and John Cage: Around, About and Above the Organized Sound
14.30-16.00 Lunch break
16.00-17.30: SESSION 3
Chair: Franco Fabbri
Vesna Mikić
Rock me Lane moje – European Identifications of Transitory Yugoslav/West Balkans’ Identities at the Eurovision Song Contest
Saskia Jaszoltowski
Memory, Spectacle, and the Image of Songs
Kaire Maimets
The Estonian Singing Revolution: Musematic Insights
17.30-18.00 Coffee break
18.00-19.30: SESSION 4
Chair: Mirjana Veselinović-Hofman
Rūta Stanevičiūtė
The Velvet Curtain. European Identities and Lithuanian Musical Imagination in the Post-Communist Era
Paulo F. de Castro
Portugal From ‘Good Other’ to ‘Ideal Self’: Images of Russian Otherness in France and the Iberian Peninsula at the Turn of the 20th Century
Ivana Perković
Ambiguity, Mimicry and War: Alla Turca in Contredanse K 535 by Wolfgang Amadeus Mozart
